PostedMarch 3, 2018
Tagsball, cartoon, chicken noodle soup, Colored Pencil, comics, couch, sketch, sketchbook, straw, toddler
Inktober is over. Time to look back through the month and see what I can do better.
Brush pen skills didn’t really improve over the course of the the month, but my confidence in using them did.
The first day may have had some of the best linework. I like the delicate line that my timidity with the brush pen gave me, but as my confidence grew over the course of the month I was soon just slapping down the ink.
Day 2 was one of my lowest points in inktober. Watson’s gesture is so stiff and awkward and his arms are too long.
Day 14 was a missed opportunity. The original idea was to recreate the cabinet photograph of Irene Adler that Sherlock took as payment for working on the case, but the result is boring. My idea was that Irene Adler (I found inspiration in photos of Helena Bonham Carter, which you can see more of in the above sketch), was fierce, and I did nothing to capture that fierceness.
A shift occurred for me on day 4. I spent more time designing the page, using the shape of the paper to help tell the story. Black areas became vital. Day 20 took those ideas to an extreme and was a lot of fun from a design standpoint.
Day 5 and 7 were strong, but 6 is one of my favorites. The design just works. It is one of the few Inktober 2017 drawings I am proud of. It also freed me up imagination-wise. If Sherlock Holmes could find the Sword in the Stone, why couldn’t he also deal with Martians or giant robots?
Attempting a Robert Downey Jr/Guy Ritchie inspired Basil of Baker St on day 26 had me paying closer attention to costume design and attempting to capture some of those textures helped give the drawing some richness, and it was the last drawing of the month that I felt great about.
Though I’ve done inktobers in the past, this was the first inktober that I managed to do a drawing every day, and it made all the difference. Having a daily deadline forced me to do the drawing rather than worrying about doing the drawing. Maybe that’s the most important thing.
Check out my past inktobers here:
still catching up.
Here’s a couple of earlier ones I did, but didn’t make the cut. (Including a continuation of sorts from day 10 gigantic.
pencil, digital, 2017
hair is better in the pencil sketch
Season 1 episode 5, aka episode 4, the one-armed man.
colored pencil, 2017
Previously on screentone’s Twin Peaks: The Livedoodles:
Previously on Twin Peaks: The Livedoodles:
Season 1 episode 2, aka “Episode 1“, also known as “Traces to Nowhere”
UPDATE: It wasn’t just my imagination. There was a lot of red in this episode. From the wikipedia entry for this episode:
“He (director Duwayne Dunham) also continued the use of a “warm” reddish tint to the footage, using soft coral filters and carefully selected props and costumes to obtain this coloring. This tint was considered important enough that Lynch sent a representative to the network to ensure they understood it was deliberate and not a mistake, for fear that they might correct the saturation to be more “realistic” before broadcasting it.”
your birthday was yesterday and I’m sorry.
here you are in your greatest role.
even if you were only onscreen for 17 minutes.
which I just found out today and seems unbelievable.
you deserve a better sketch
I’m sure you’ll get it
just not from me
washable marker, 2017
of the neighbors chair and fire pit
blue pencil – kind of the reverse layout of a house I used to live in