pencil sketch to digital sketch
pencil, digital, 2017
hair is better in the pencil sketch
pencil, digital, 2017
hair is better in the pencil sketch
of my first day ever in nyc, 2017, digital mostly
a screencast of a drawing from last month that went nowhere. 17 minutes condensed into 1 minute.
color sketch 2 from screentone on Vimeo.
update: did a reverse image search of the photo: https://www.picfair.com/pics/asleep-on-a-bench
more impasto sketching – my favorite calculator – the casio fx-6300g inaccurately portrayed in digital
more practice with kyle t‘s impasto kit. in his tutorial he recommends using the impasto sparingly, but i went whole hog.
spidey is purple because i was painting late last night with flux on and I thought he was red. i like the purple though
posted these color sketches on my tumblr a while back, but thought they should be here too
here’s the original sketch, previously posted here
cleaned up in photoshop
added color
wanted a looser feel with the colors
tried it with just the glow from television
making color decisions is hard sometimes
Receptacle, Digital, 2014
Digital, 2014
Digital, 2014
Here’s another shot at inking and coloring a peanut Spidey in Freehand.
First the sketch.
Then the inked and colored version.
The linework feels more lively than my previous example, but I don’t know if Spidey feels very peanut-y anymore, though.
Just finished reading:
This is the first Tintin story I’ve ever read; and it really blew my hair back. Though this collection is black and white, I’ve seen color samples of Herge’s strip and they’re just beautiful.
In fact, don’t this;
and this;
seem to have a lot in common? (You can check out my previous post on this piece here.)
And so far, this link is the best look at Herge‘s process that I’ve found.
screentone out