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eagles dad

for the last few months i’ve felt pretty energized, creatively speaking

(i’d been reading lynda barry’s syllabus, and i think that gave me quite a bit of fuel and confidence, both)

for the last few weeks my creative juices are feeling lower

i havent been putting out as many strips this month, and for some reason they’ve seemed harder to come by

i can only hope i’m in just a seasonal artistic funk

so this one is from the sketchbook

i’m not sure what to do with little moments like these, since they have dialogue and only feature one panel, which don’t seem to fit the rules i’ve created for myself here


in the meantime you can scroll through all of the ‘steps’ strips here

putting together the pepper strip timelapse


what’s great about this timelapse is it shows how nothing came easy on this one

and when i saw little guy trying to grind pepper with the pepper shaker at the restaurant i thought i had it made

but then i realized i needed to show all of the other times he saw me using a pepper grinder

and none of the drawings came easy

the staging of that last panel was especially difficult. and the drawing was pretty bad. I’m not even sure it is clear what is going on.

even the colors of the strip were dificult. i worried that there would be too many colors in the last panel so i decided to go monotone throughout.

i decided on yellow just because i thought it would be funny to color in the yolks in panel 3.

my first attempt at yellow looked like pee. so i made it bolder.

i’m not sure i agree with that decision.

ultimately i still think the idea was good, but the execution lacked on almost every level.

i think ive mentioned before i have no idea what im doing

snowball time lapse

here’s the timelapse of me drawing the snowball comic strip

this is an interesting one to look at because the strip went through so many changes after i stopped recording

i decided to run it vertically

having no expression on the little guy in the last panel felt most right for the ‘punchline’

but even more interesting (to me i guess) was the decision to change the first panel

the close up of little guy packing a snowball seemed to ruin the ‘rhythm’ of the piece

that panel seemed too ‘big’ – too ‘loud’ for the next three panels

for some reason, it seems like the strip works better the smaller the changes between the panels

smaller the changes between panel the more power the final panel seems to have for me

i wonder why that is…